Date: Saturday, May 31, 2025 Time: 2:00 PM Location: Flamingo Library Performing Arts Theater
About the Performance
1
ACT I
Japan, at the turn of the 20th century. Lieutenant Benjamin Franklin Pinkerton of the U.S. Navy inspects a house overlooking Nagasaki harbor that he is leasing from Goro, a marriage broker. The house comes with three servants and a geisha wife named Cio-Cio-San, known as Madam Butterfly. The American consul Sharpless arrives breathless from climbing the hill. Pinkerton describes his philosophy of the fearless Yankee roaming the world in search of experience and pleasure. He is not sure whether his feelings for the young girl are love or a whim, but he intends to go through with the marriage ceremony. Sharpless warns him that the girl may view the marriage differently, but Pinkerton brushes off such concerns and says someday he will take a real, American wife. Butterfly arrives with her friends for the ceremony. Butterfly admits her age, 15, and explains that her family was once prominent but lost its position, and she has had to earn her living as a geisha. Her relatives arrive and chatter about the marriage. Cio-Cio-San shows Pinkerton her few possessions and quietly tells him that she has been to the Christian mission and will embrace her husband's religion. The Imperial Commissioner reads the marriage agreement, and the relatives congratulate the couple. Butterfly's uncle, a priest, curses the girl for going to the mission and rejecting her ancestral religion. Pinkerton orders them to leave, and as they go, the shocked relatives denounce Cio-Cio-San. Pinkerton tries to console Butterfly with sweet words. Suzuki helps her into her wedding kimono before the couple meets in the garden, where they make love.
2
ACT II
Three years have passed, and Cio-Cio-San awaits her husband's return at her home. Suzuki prays to the gods for help, but Butterfly berates her for believing in lazy Japanese gods rather than in Pinkerton's promise to return one day. Sharpless appears with a letter from Pinkerton, but before he can read it to Butterfly, Goro arrives with the latest suitor, the wealthy Prince Yamadori. Butterfly politely serves the guests tea but insists she is not available for marriage—her American husband has not deserted her. She dismisses Goro and Yamadori. Sharpless attempts to read Pinkerton's letter and suggests that perhaps Butterfly should reconsider Yamadori's offer. In response, she presents the consul with the young son she has had by Pinkerton. She says that his name is "Sorrow," but when his father returns, he will be called "Joy." Sharpless is too upset to tell her more of the letter's contents. He leaves, promising to tell Pinkerton of the child. A cannon shot in the harbor announces the arrival of a ship. Butterfly and Suzuki take a telescope to the terrace and read the name of the vessel—it is Pinkerton's. Overjoyed, Butterfly joins Suzuki in decorating the house with flowers from the garden. Night falls, and Butterfly, Suzuki, and the child settle into a vigil watching over the harbor.
3
ACT III
Dawn breaks, and Suzuki insists that Butterfly get some sleep. Butterfly carries the child into the house. Sharpless appears with Pinkerton and Kate, Pinkerton's new wife. Suzuki realizes who the American woman is and agrees to help break the news to Butterfly. Pinkerton is overcome with guilt and runs from the scene, pausing to remember his days in the little house. Cio-Cio-San rushes in hoping to find Pinkerton, but sees Kate instead. Grasping the situation, she agrees to give up her son but insists Pinkerton return for him. Dismissing everyone, Butterfly takes out the dagger with which her father committed suicide, choosing to die with honor rather than live in shame. She is interrupted momentarily when the child comes in, but Butterfly says goodbye and blindfolds him. She stabs herself as Pinkerton arrives, calling out for her.
Cast
Principal Roles
Lieutenant BF Pinkerton – Eric Wassenaar
Goro – Francisco Corredor
Suzuki – Isabella Daltoso
Sharpless – Allan Glassman
Madama Butterfly – Shirley Wang
Supporting Roles
Yamadori – Joshua Hughes
Imperial Commissioner – Joshua Hughes
Kate Pinkerton – Rose Kingsley
Narrator of the Opera – Rose Kingsley
Direction
Musical Director – Robert Graziano
Artist Biographies
Eric Wassenaar – Pinkerton
Tenor Eric Wassenaar is recognized for his dynamic performances across opera, musical theater, and concert stages. In 2025 he will join Opera Festival of Chicago covering the role of Beppe in Leoncavallo's Pagliacci and International Opera Institute singing the role of Pinkerton in Puccini's Madama Butterfly. During the 2017–2018 season, he joined Pensacola Opera as an Artist in Residence, debuting as Goro in Madama Butterfly and The Padre in Man of La Mancha, while also starring in María de Buenos Aires. He premiered as tenor soloist in Handel's Messiah and Ariel Ramírez's Misa Criolla with the Pensacola Choral Society.
In summer 2017, he appeared with Chautauqua Opera as an Apprentice Artist, performing in the U.S. stage premiere of Respighi's L'Orfeo (Pastore) and Philip Glass's Hydrogen Jukebox. Concert highlights include collaborations with the Chautauqua Symphony Orchestra under Steven Osgood and a pops program with conductor Stuart Chafetz.
A Sioux Falls native, Wassenaar holds a Master of Music from the University of Colorado Boulder and a Bachelor of Fine Arts from Augustana University.
Francisco Corredor – Goro
Hailing from Queens, Francisco Corredor is an emerging character tenor whose comedic and lively interpretations have been praised by Opera News, The New York Times, El Diario, The Brooklyn Daily Eagle, and The Oklahoman. A former artist with Tony Bennett's Exploring the Arts Foundation as well as with Martina Arroyo's Prelude to Performance, he has performed throughout New York City and at the OK Mozart International Festival, the Verbier Festival in Switzerland, the Salzburg Festival in Austria, and on a tour of Israel with Zubin Mehta and the Israeli Philharmonic.
Francisco holds a bachelor's degree in music from the Conservatory of Music at SUNY Purchase and a Master of Arts from the Aaron Copland School of Music at Queens College.
Isabella Daltoso – Suzuki
Mezzo-soprano Isabella Daltoso is a current Master of Music in Voice Performance candidate at Chicago College of Performing Arts. She holds a Bachelor of Music from Pacific Lutheran University where she performed leading roles including Sesto (Giulio Cesare), Prince Orlofsky (Die Fledermaus), and Ruth (Pirates of Penzance).
Recent highlights include Goffredo in Rinaldo with Chicago Summer Opera, Dinah in Trouble in Tahiti, and Marcellina in Le nozze di Figaro. She was recently a semifinalist in the 2025 MIOpera international voice competition.
Allan Glassman – Sharpless
Tenor Allan Glassman has thrilled audiences throughout America and Europe with his vibrant timbre and committed stage presence. A regular at The Metropolitan Opera, his performances have included Herod in Salome, Red Whiskers in Billy Budd, and roles in Carmen, Wozzeck, Elektra, and The Ghosts of Versailles. He has also performed widely across the U.S. and internationally, earning acclaim for his portrayals of Herod and other intense character roles.
Shirley Wang – Madama Butterfly
A native of Taipei, Taiwan, soprano XiaoLing Wang is a graduate of USC and a finalist in multiple international vocal competitions. Her operatic credits include leading roles in Aida, La Traviata, Tosca, La Bohème, Don Giovanni, and more. She has been heard in recital across the U.S. and was a featured soloist at Carnegie Hall. Her next appearance includes the title role in Madama Butterfly with Desert Opera in May 2025.
Joshua Hughes – Yamadori / Imperial Commissioner
Joshua Hughes has been praised for his "powerful lyricism" and "brilliant vocal range." This production marks his debut with IOI, following a second-place finish in the 2025 IOI Las Vegas Vocal Competition. His credits span both opera and musical theater, including La Traviata, Don Giovanni, Il barbiere di Siviglia, West Side Story, and Der fliegende Holländer. He recently appeared with Opera Las Vegas and the Las Vegas Sinfonietta.
Rose Kingsley – Kate Pinkerton / Narrator
Rose Kingsley is the founder and Artistic Director of the International Opera Institute. A leading dramatic soprano, she has performed at the Met, with the American Ballet Theatre, and for three U.S. Presidents. She is the only voice teacher to conduct a master class at the Metropolitan Opera. Her credits include La Bohème, Aida, Tosca, Salome, and Rigoletto. She is co-composer of the opera Apollo 14, premiered at New York City Opera.
Robert Graziano – Musical Director
Robert Graziano, a pianist from Buffalo, NY, began playing at age three. He has received numerous awards, including second place at the Nazareth Piano Competition and Honorable Mention at the LA International Liszt Competition. Robert has studied at the Eastern Music Festival and Vianden Summer Festival in Luxembourg. He is completing his undergraduate degree at UNLV and has earned a full scholarship for his graduate studies at Arizona State University.
About the International Opera Institute
The International Opera Institute is a 501(c)(3) nonprofit educational performing arts company. On October 31, 2022, IOI proudly relocated from Southern California to Henderson, Nevada.
We are a humanitarian, charitable, and educational organization that increases awareness, appreciation, and understanding of Opera and Musical Theater. Through outreach programs and performances, the IOI prepares vocal artists for roles on professional opera and theater stages.
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